Embossing and Debossing involve printing without ink by using the plate and press to create a physical impression on paper. The processes are related techniques that create different results. Embossing produces a raised impression onto paper (or other surface) while Debossing does the opposite, making a depression in the paper. Students may (but they are not required to) bring existing plates to class such as relief and deep etched intaglio plates for embossment, collagraph, and carborundum plates for debossment. In the class we will construct simple relief and intaglio plates using cardboard, fabrics, and other materials. imited to 8 stude

EMBOSSMENT/DEBOSSMENT

$180.00Price
  • Wednesday & Thursday, 6:30pm – 9:30pm

    August 2 & 3

    Limited to 6 students

  • Rie Hasegawa was born in Tokyo. She received her BFA in architecture design from Musashino Art University. Rie works in a variety of print media including etching, woodcut, lithograph and monoprint. Her work has been exhibited internationally, including the US, Japan, Romania, Taiwan, and Peru. She works as a freelance printer at the EFA Robert Blackburn Printmaking Workshop in New York City and Atelier A/E in the Bronx.

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MANHATTAN GRAPHICS CENTER | 250 WEST 40 STREET, 5TH FLOOR | NEW YORK, NY 10018 | 212-219-8783

THANKS TO FRIENDS OF MGC

New York City Department of Cultural Affairs | The Scherman Foundation for its generous and continuing support | New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature | The Pierre and Tana Matisse Foundation | The Charles Locke Art Fund | The Jockey Hollow Foundation |  Milton and Sally Avery Arts Foundation | Friends and MGC members who have made donations to the Center

 

Our programs are supported in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.