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MANHATTAN GRAPHICS CENTER

250 WEST 40 STREET, 5TH FLOOR
NEW YORK, NY 10018
212-219-8783

THANKS TO FRIENDS OF MGC: 

The Jockey Hollow Foundation  |  The Pierre and Tana Matisse Foundation | The Scherman Foundation for its generous and continuing support | The Wolf Kahn and Emily Mason Foundation | New York City Department of Cultural Affairs | Milton and Sally Avery Arts Foundation | Friends and MGC members who have made donations to the Center | New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature | Our programs are supported in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council.

Carborundum aquatint is a painterly intaglio process that allows a wide tonal range without acid, rosin or other toxic chemicals usually associated with traditional aquatint. Carborundum grit in various degrees of texture, from coarse to very fine, is mixed with acrylic medium and brushed onto either acrylic or mat board plates. When dry, the plate is inked and wiped like a traditional intaglio plate. The use of Plexiglas makes multi-plate registration very simple. Wiping ink from a carborundum plate does not discolor the ink, as is common with zinc or copper plates. The instructor, in a long career as a master printer, has introduced this technique to artists such as Joan Mitchell and Emily Mason, and examples of their prints will be shown.

 

CARBORUNDUM AQUATINT

$260.00Price
  • Sundays, 12:00 - 3:00pm

    Oct. 27, Nov. 3, 10, 17 (4 weeks)

    Limited to 6 students

    Includes 12 hours of open workshop time

  • Anthony Kirk, a master printer, teacher and artist, has for several years collaborated with Wolf Kahn in the printing of his monotypes using textured plates, water based Akua inks and Caran d’Ache water soluble crayons.